Aperture, The Edge of Vision: The Rise of Abstraction in Photography, 2009, Cover, pp. 212-213, Rexer, Lyle
The Boston Globe, “A Radiant Renaissance,” March 11, 2008, Arts & Performance, p. 4, McQuaid, Cate
Focal Press, Photographic Possibilities, p. 36, Hirsch, Robert
New York Times, “Focus on Light and Thrift,” November 21, 2008
Philadelphia Inquirer, “Something to Meditate on: Mandalas in Photographs,” October 5, 2008, Newhall, Edith
Art Matters, “Photo Mandalas,” October 2008, Wasserman, Robert
Double Exposure, “Spirit With a Sleight of Hand,” April 2008, Schaefer, Robert
Camera Arts, “An Accidental Photographer,” January-February 2008, pp. 82-87, Armstrong, Bill
The New Yorker, “Silent Minds,” October 15, 2007, p. 39, Groopman, Jerome
Thames and Hudson, FACE: The New Photographic Portrait, pp. 212-213, Ewing, William
Eyemazing, “Apparition,” April 2006, pp.112-119, Shabsis, Claire Stacey
AG, “Going to the Many,” April 2006, pp. 30-41, Coleman, A. D.
Lemon, “Going to the Many,” February 2006, pp. 85-92, Coleman, A. D.
Harpers, “Findings,” January 2006, p. 96, Lapham, Lewis H
Utne Reader, “Calm in the Chaos,” January/February 2006, pp. 47, 51, Schimke, David
Photo Techniques, “Color Harmony in Photography,” November/December 2005, pp. 24-27, Armstrong, Bill
Tricycle, “What is true happiness?” Fall 2005, pp. 71, 77, 84, Wallace, B, Allan
House & Garden, “(american scene) photography RING MASTER,” March 2005, p. 93, Cunningham, Caroline
The Boston Globe, “Bypassing reason for feeling, soft-focus photos return,” Jan, 14, 2005, p. E22, McQuaid, Cate
The Boston Phoenix, “Photographs by Bill Armstrong,” January 7, 2005, Arts, p. 23, Millis, Christopher
Maverick Arts Magazine, Issue Number 165, January 10, 2005, Giuliano, Charles
McGraw-Hill, Exploring Color Photography, 2004, p. 263, Hirsch, Robert
Interior Design, “Update,” July 2003, p. 40, Beautyman, Mairi
Chronogram, June 2003, Cover
Hayward Gallery, “About Face,” Exhibition Catalogue, 2004, p. 51, Ewing, William
Scalo, “Here is New York,” A Democracy of Photographs, 2002, p. 397, George, Alice
Art & Auction, “Private Eye: in collector John Bennette's world, image is everything,” November 2002, p. 94-107, Widdecomb, Ben
The Boston Globe, “Gallery Review,” July 12 2001, p. 17, McQuaid, Cate
Art Actuel, “L'homme qui murmure a l'oreille de l'infini,” May-June 2001, pp. 68-71, Nakamura, Rose Marie
Foto Reflex, “Viaje al Infinito,” Ano 6, No, 27, 2001, pp. 25-32, Tovar, Helena